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Scratching an itch…

Dear Jan,

Ever since WestKnits Book One came out, I’ve been itching to knit Pogona.  The interesting construction with multiple increase points (not just another triangular shawl), the organic way it curved around the neck with just enough ruffle for flow and not so much to be girly, and the wearability of a shawlette for work or play - I knew this shawl was for me.  And when I got my Rhinebeck braid of Rambouillet (dyed by Erica at DesigKnit) spun up into a lace weight yarn, I knew I had the right yarn, too.

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Erica captured the color of autumn foliage perfectly.  I actually toned down the saturation in this photo - it is that gorgeous!

My only problem is that the gauge is much finer than that for which Stephen West designed the shawl, so what should be a super fast knit is more of a slow but enjoyable process.  I’m using a smaller needle and have a lot more stitches, but the fabric is fine and dreamy - even better to allow the fabric to drape.

Here is some more brilliant color I’ve enjoyed of late, a Baltimore Oriole (first I’ve seen, ever!).  He would go well with the shawl.

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And for a bit more color, in case that wasn’t enough, we got our first-of-the-year ruby-throated hummingbird to the feeder.

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And that reminds me - I need to go refill that feeder!

Love,

Ellen

Cherry blossoms in summer…

Dear Jan,

We have become very bad bloggers.  We are maybe pretty good podcasters*, but our blogging has really dried up.  I feel bad for the folks who read blogs but don’t do the podcast thing, and I also like to have a bit of writing, not just audio of our lives.  Still, to try to catch up at this point would make for an interminable post.  Instead, I’m going to pick one thing at a time and post about it, and maybe much of what has happened in recent weeks will get recorded, and maybe it won’t.  I doubt anyone will miss the “gee, it’s hard to believe it isn’t spring yet in Minnesota posts”, so I’ll skip right past those and get into summertime cherry blossoms.

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Yes, we went straight from winter snow one week to temps in the 90’s the next, and it sure prompted my North Star cherry to bloom quickly.  I had some blooms of my own to hang on it - my Umeshu stole, my version of the Hanami stole by Melanie Gibbons.  The stole represents cherry blossoms falling from one end of the stole to the other - the geometric lace reminds me of garden fencing.  I used Knit Pick’s hand dyed Shimmer lace weight yarn (70:30 alpaca:silk) on size 3.25 mm needles.  The yarn was a tonal of plum colors, hence the name “Umeshu” which means plum in Japanese.

img_4703.jpgThough the color was pleasing, I found the tonal was really more of a stripey and was disappointed at how the lace pattern was obscured.  It really bugged me, so I decided I had nothing to lose by tossing it in the dye pot.

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I used Cushing’s Perfection Acid Dyes in burgundy and white vinegar as a mordant.  The dye exhausted pretty thoroughly, but boy did I have to rinse and rinse to clear the alpaca/silk of the dye.  After the first few rinses resulted in continued bleeding, I retreated and reheated with vinegar solution and rinsed and rinsed again, using some woolwash to help free up loose dye.  Finally, about 9 rounds later, I was reasonably satisfied that the dye wouldn’t immediately transfer onto my skin when I wore the stole.

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No doubt, it was worth the trouble.  If you look very closely, you can see the ghost of the stripes, which just makes it more interesting and rich.

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The beaded cast on reminds me of dew drops.

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I modified the pattern by making it one multiple wider than called for and adding some length.  And instead of going to the perfect lace grid on the ends, I repeated the more organic random grid several more times and am very happy I did so.  Finally, I made the ruffle more ruffly by doing a triple increase in each stitch and then finishing with some garter stitch (which is wider than stockinette) before binding off.  You can see the details in my notes on my Ravelry page.

It felt so good to get this piece which I started back in 2009 off the needles that I may have to go UFO diving again soon.  Hey, at least it didn’t take me 4 years to write about it!

Love,

Ellen

*and even the podcasting has gotten slowed up in the rush of spring, but a new episode should be up soon!

Imagine a moth…

Did you know that the last stage in an insects life is the imago, plural imagines?  While I wish I had imagined this, unfortunately I didn’t.   A moth flew out of my closet a couple of days ago.

Though said insect is now smashed to smothereens, I am sure it was Tineola bisselliella, the dreaded clothes moth.  Powdery, silvery green wings, erratic flight, yup, sure is the fiber artist’s nemesis.

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As many of my sweaters were due for a wash, I went ahead and used my soaking and spinning machine* to work my way through all of my wool sweaters over the course of a few days. I thoroughly vacuumed the drawers in which I keep them and the closet itself.

The shawls gave me pause. All of that blocking to be redone was more than I could face. So I baked them.

Recalling that at work (where we handle tons of grains and flours) we occasionally heat the whole building up to quell meal moth infestation, I wondered if something like this would work for wool moths. After some research in agricultural texts and on-line information**, I concluded that if I got my knits over 140F for several minutes (or 160 F for less than a minute), I should be able to knock out any and all forms of moth - egg, larva, or adult.  Combine this info with my favorite feature of my kitchen range, the warming drawer, and you’ve got a straightforward method for disinfesting delicates of these pests.

I set the warming drawer on High, wrapped the shawls in a light cotton towel, stuck a meat thermometer into the middle to make sure I get them up to 140F, and baked my shawls free of any insidious infestation.

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Bonus - thanks to this unasked for prompt, I have gotten my annual sweater wash done earlier than ever before.

Imagine that.

Love,

Ellen

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Note - do not do this with garments that you aren’t sure are clean. Heating causes all sorts of great chemical reactions between sugars and proteins (like the ones in that egg salad that dripped on your sweater the other day, or the sweat that has been accumulating on the edge of that cowl) and these reactions create delicious flavors and very brown stains. This is what is happening, by the way, when stains slowly appear on old clothing - the heat just speeds all that up.

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*A.K.A. washing machine - great for soaking multiple sweaters at once and spinning the water out - just don’t ever let it agitate them!

** Tang, Juming; Mitcham, Elizabeth; Wang, Shaojin; Lurie, Susan. 2007. Heat Treatments for Postharvet Pest Control: Theory and Practice. CAB International, Oxon, UK.

**Cranshaw, W. 2003. Fact Sheet No. 5598, Indian Meal Moth. Colorado State University.

Image of clothes moth from Wikimedia Commons.

And you thought that was an ice bucket…

Dear Jan,

When the hotel sink won’t hold water, you find something else in which to block your new socks.

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And the shelf under the sink makes an excellent place in which to dry them.

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Yes, Sockesan! is a finished project, and I am still highly pleased with the Noro Kureyon Sock yarn.  Post blocking the fabric is thin, supple, and soft.  The colors were always fab.

The pattern, well, there really isn’t a pattern.  Cast on about 72 sts, decrease at back of sock (paired decreases about 4 sts apart every 8 or 10 rows) down to 62 sts, work heel flap from other end of ball so as not to interrupt stripes, then pick the original working yarn back up to work the gusset and foot.  Kitchener closed.  Block in ice bucket.

I am pleased.

Love,

Ellen

Houston, we have a problem…

Dear Jan,

I have started rooting for the owls to come out during the daytime.

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While watching the squirrels raid our feeder, I’ve been working on my Fiber Fusion sweater.  After the precision demanded by the Master Knitter program, the freedom to create a knit fabric that is organic and rustic and in which I have no preconceived notion of the final garment is quite freeing.

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I did get back that first round submission, by the way.  I’m pleased with how I did.  Several swatches to reknit or reblock, a few more swatches to rewrite, plus a reknit of the wrister (I forgot a row in the pattern - huh!?).  But the big happy is that all of the reports were accepted!  Lisa and I will start back on our work this week.

I’ve decided I’m going to make the Decibella cowl by Gale Zucker.  It just keeps haunting me with its magnitudeness.  (I’m sure that is a word.)  But I didn’t want to spend the big buck for the big yarn suggested.  Good thing I know how to make my own!

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I’m using the cerulean blue fleece, colored in the remnants of the dyebath that I used for all that 5-ply yarn I spun a while ago, drum carded and spun into singles.

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I saved a chunk of the last batt  to blend on the drum carder with some more of the natural colored fiber.  The misty blue that resulted is equally enchanting.

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Six plies of each makes for bulky yarns with just enough contrast for interest, and close enough that your eyes won’t hurt looking at the cowl.

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Too bad I don’t have that cowl done already as we are getting socked by a good snow.  Nothing like out east this weekend, but enough that getting to work in the morning will be challenging.  And that morning will come fast enough, so bye for now.

Love,

Ellen

Powered by Fusion…Fiber Fusion…

Dear Jan,

I am finally finding time to make headway on my project for the Fiber Fusion Design class taught by Steven Berg at his StevenBe Workshop. Steven had a career in Big Fashion before becoming one of the most creative and beloved LYS owners in the country, and he is teaching us how to apply some of the approaches they took to making designer knitwear.

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Basically, you work from a sewing pattern to identify basic shapes that work with your inspiration.  My inspiration was the small skeins of various handspun wools I have, including some rare breeds.  I thought something like this tunic would suit streaks of knitting in various colors.

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We traced the rough design of the pattern pieces on tag board, I sketched in my rough plans for shaping and knitting direction, and away we went.  I finished the right front back in December and today got much of the way through the left front.  It goes fast at this gauge!

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Lisa is taking this course with me.  You can see her progress on her Ravelry page (actually, I think she is already finished - she ain’t called Turbogal for nothin’!)  She and Steven want me to keep the little rubber butterflies that were part of the art yarn I’m using to liven up my natural colored handspun skeins.  I want me to be able to wear this sweater in public, so I’m not sure how long they will last.  For now, I guess it is kind of fun to have them hovering over the work.

Time to go hover over the pillow.

Love,

Ellen

A Holiday fit for a King…

…Penguin, that is.

Dear Jan,

We had, as always, a wonderful gathering for the holidays at our house.  The entire family on Wilson’s side (with the notable exception of Wilson’s own daughters and son-in-law (mine, too, I haven’t been keeping something from you)) came for a rolicking-good time.   In our heartbreak over our offspring being responsible working adults who couldn’t make it across half a continent to see us for a day, we had to adopt a new child.

Meet Peterson*.

Peterson  helped Merry bake cookies.

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and helped Mom cook dinner.

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Peterson chose yet more cookies to bake.

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Peterson snacked with Paula on Wilson’s famous party mix while waiting for cookies to come out of the oven.

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When Wilson hung the Shining Hippo** on the top of the tree, Peterson was there to catch him if he fell.

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Peterson listened as Dad read Silver Packages,

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and went on the cold (and short) Christmas Eve walk with Margaret and Merry and Jon and Wilson and me.

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Wilson helped Jon open gifts,

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and wore Beauty Bows with Mom.

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Peterson was concerned about the menu for dinner,

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but wholly approved the job Marty and Dad did in constructing shelves for the new closet.

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All that work made Peterson sleepy.  (Poison was sleepy from general naughtiness.)

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Peterson thinks feathers are better, but still found carding wool to be fun if you get to do it with Margaret and Mom.

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And Peterson even pulled a New Year’s Eve cracker with me.  He was brave and didn’t cry when it went off.

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Don’t worry, Karen, Brandon, and Jenny.  Peterson doesn’t take up much space.  There is always room for you.

Love,

Ellen

*In the Fun Facts to Know and Tell category, Roger Tory P. was known by the nickname King Penguin.

**Newlyweds, be careful of little jokes you make like hanging a cheap pompon ornament at the top of your tree because you don’t have a star.  It is amazing what will stick for 32 years.

And the warmth will return…

Happy Solstice!

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Love, Ellen

Cool color…

Dear Jan,

After the miles of worsted lace weight spinning (well, maybe not miles, but perhaps a quarter mile) I’ve done lately, I needed some instant gratification.  A batt - I needed to spin a batt with a woolen draw and to make it interesting I’d try to spin at a little heavier gauge than I have a tendency to do.

I made a trek to the Chamber of Secrets and the icy blue batt that from the drum carding class I took last spring practically jumped into my hands.  It is lustrous Coopworth fiber from Carol Wagner at Hidden Valley Farm and Woolen Mill, mostly in blues & teals but with a smidge of yellow and yes, to spice it up, a little bit of pink.  (I know, I don’t do pink.  Yet there it is.)  The locks were dyed the individual colors and then I carded them together.

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I spun the singles with a forward semi-woolen draw, fairly long because the staple on Coopworth is several inches, letting enough of the twist slip back into the fiber to grab yet controlling it enough to prevent locking up and to enable slight smoothing of the yarn.  I drafted quickly and was able to produce a heavy laceweight singles which when chain plyed produced a heavy dk weight yarn.

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The yarn that this fiber produces is strong and supple, perhaps not next to the neck soft but it would be fabulous for rugged mittens or an outerwear sweater.  The flecks of color remind me of tweed, but don’t have that slightly unkempt look some tweeds can have because the tweedy bits appear to be about to fall off the yarn.  And I have to say, I even like the pink.

I hope you are feeling more and more in the pink every day.

Love,

Ellen

P.S.  Happy Solstice tomorrow!

Buffalo cowls, won’t you come out tonight?

Dear Jan,

I crack myself up.  I have named the most recent new project in my list “A cowl for George Bailey“, because it is a “buffalo” cowl.  Say it fast and with a gutteral “c” and perhaps you will chuckle a bit.  Kind of seasonal, eh?

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Oh, why buffalo?  It isn’t, actually.  It’s bison, the bison 2-ply I spun last winter.  Every since the spinning it had been telling me it wanted to  become Stephanie Pearl-McPhee’s Pretty Thing, and now I am granting that wish.

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The long and heavy snowstorm of Sunday has made for some good knitting time and I am 70% of the way through the knitting, partly because it is so enjoyable.  This yarn is wonderful fun to knit - it feels like petting a well-muscled but very soft and fuzzy cat.  Weird description, yet that is what pops in my head every time I pick it up - there is a substance and suppleness to the yarn covered up by a lovely halo of soft.

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Like a fluffy cat, no?

(I’m not sure I have complete buy-in on this.)

Love,

Ellen